So, in that little poll I did, people did say they were interested in reading me talking about my process for writing, so here’s a quick one on that topic, just an update. I am also aware that most people wanted posts about general writercraft but it’s been a long week and this is what I have right now. I’ll try and get back on topic next week. Continue reading “New Technique: Thoughts”
Friends and Internet denizens, I have been trying something new.
After working on The King’s City until I needed to give it one last time to beta readers (if you’re reading this, you know who you are, and I’m so thankful that you’re choosing to help me out despite my demanding timeframe – you are all getting homemade gifts once I can give them to you in person again). Which means that I need to distract myself for the next two weeks so that I can come back to it with fresh eyes.
I’ve done the glass of wine with dinner. I’ve done the two days of doing absolutely nothing related to writing or the project – just rearranging some things on the blog (as much as I can with my limited knowledge) and playing video games online with some friends. But now I’ve had my break, it’s time for me to get back into writing, and that means working on the next project.
This next project is a bit of an odd one. Not in terms of the story itself – though that is certainly odd – but in terms of how I’m approaching it.
Usually when I start writing something, I’ve had it rattling around in my head for a while. I used to write a lot of my worldbuilding at my job (on lunch break … of course …) where I couldn’t bring my laptop, so I would write notes on scrap paper and take it home with me. This formed my worldbuilding notes, which I’d process into the computer, making changes and filling gaps as I went. Then I got Scrivener, and the process of creating easily-referenceable worldbuilding notes got hundreds of times easier.
I made those notes for this story. I have them somewhere. But I think I lost them, and I am not willing to go looking for them again.
But I’ve also had this one rattling around for far longer than any of the others, I think. ‘The Ferryman’s Apprentice’ was a damn long time in the writing, but from idea to execution, I think it was only about eight months. ‘The King’s City’ was a bit longer – I think it was about twelve months before I started to write it. Earlier novels that have been relegated to the desk drawer of fate averaged around twelve months of worldbuilding before I got around to writing them.
FB, the next serial project, has been in worldbuilding development on and off for six years now.
I’m also trying to do my worldbuilding differently here. It has always been true that barely 10% of my worldbuilding notes ever make it into the actual story, and I think that’s not uncommon among writers who use worldbuilding notes. That doesn’t make them useless – worldbuilding notes like that give me a good, solid sense of the world and the plot.
But a lot of the detail that actually ends up in the story is throwaway details – stuff that I didn’t think about before but added at the last minute because I needed to mention something for a scene. I reference my worldbuilding notes for names of secondary characters that I forgot more than I do for worldbuilding details that I need for the story but didn’t remember.
But this plot is different in that it’s been sitting in my mind for so long that I don’t need that sort of formal worldbuilding note to form it anymore. I wrote them, I lost them, and I’m not recreating them.
This time around, I’m going in … well, more unprepared than I’ve been for a story in a long time. I’ve been talking through characters and setting with some friends for a long time, and I’ve been working out some things I absolutely couldn’t start with out (the main character didn’t have a lot of character for a while there, for one). But as for setting up the file, my usual process of adding in all the worldbuilding notes to check that I’ve got a good sense of things?
Well, we’re gonna skip that this time and see what happens. I’m diving right in with only a brief checklist of character notes, important scenes, and important thematic notes.
Let’s see what happens.
So, at the moment I’ve just started to do some work on a new project (don’t worry, I’m not abandoning anything else I’m working on at the moment – I’m just setting up the pieces so that when I’m ready to pick it up, it’s ready to go immediately. I’m not giving anything away just yet and I’ll be giving it a proper announcement in due course, but I’ll use it as a kicking-off point here), and that, for me, means starting at the worldbuilding stage. Continue reading “Big Picture and Small Picture”
This is a musing stemming from the edit pass I’m doing. I’ve been working on a lot of the daily life sort of stuff, which means looking at what sorts of food characters should eat, or what sort of materials their clothes are made out of. Continue reading “What’s in a Name?”
So, as anyone who’s following the Twitter will know, I finished the readthrough pass. It took a little longer than I’d like, but that’s how these things shake out.
I’m also sort of glad that I chose this particular book to do the live edit pass on, because hoo boy we’re going to have material for months. Continue reading “Edit Pass Live Stage 2: Background Work”