Guillermo Del Toro on the Brain

So, I only kind of knew who Guillermo del Toro was until a few weeks ago.  I had seen Pan’s Labyinth, and both the Hellboy movies (which I still enjoy and usually watch while studying.  Yes, I acknowledge they’re not great cinema.  No, I don’t really care.  Even about the second one).

And you should also know that Monster, by Naoki Urasawa is one of my favourite manga and anime of all time.  Tied for favourite, with one or two other series depending on my mood at the time.

Now, it’s really difficult to find a copy of Monster on DVD, mainly because a DVD version was only ever released for the first 15 episodes (this may be only in English, I’m not sure about Japanese).  And then Siren Visual bought it, and will be distributing it in Australia at the end of the year.  When I discovered this, the noises I made cannot be described either with letters or with most parts of the human vocal range.  I bounced around my friend’s lounge room squeaking for a full ten minutes.  I’m not proud.  I’m also not particularly ashamed.

With that news (which I found here: http://www.sirenvisual.com.au/News/201305/345.php#comments) , came the link to the fact that there will be an HBO series released.  And it will be directed by Guillermo Del Toro.

Great, I thought.  I liked his work.  But reading more, he seems like the kind of person I should watch more of.  Let’s check what else he’s done.

And then I found ‘Don’t be Afraid of the Dark’ for hire on iTunes.  I watched it quite late at night.  People who know the movie (or the movie it is a remake of) will probably be laughing at me right now, because that was possibly the silliest thing a girl who’s not particularly well-versed in horror films could do.

But what else can you do in this day and age but blog about it (apart from freak out on Facebook, which I assure you I did).

Let me begin by saying that I really loved the movie.  In actuality, it wasn’t as bad as I’m making it out to be.  I can actually sleep in a dark room, for one thing.

So, into the overanalysis.  The structure really intrigued me. As I said, I’m not that much of a horror fan, but still, I could pick out every cliché in it (the child who believes she’s unloved, so falls prey to the creatures, the groundskeeper who knows all about it, but refuses to tell the family more than ‘it’s dangerous’, the fact that anyone in a bath in a horror film is about to have their shit ruined).  But the movie still kept me in.  I attribute this to the characters.  Sure, I was kind of left wondering how many darkened rooms a kid can walk into before she realises it’s a really awful idea to walk into another one, but she was still believable.  Her father, at the beginning, was slightly neglectful and clueless while never really being unsympathetic, because you could see why he thinks the things he does.  You can tell he’s trying to do the best he can, but the girl is just not having any of it.  He’s under a lot of pressure from his job because he’s in an unstable financial situation, so you can see why he’s distracted by that.  Later on, he gets a little more towards the unthinking idiot side of the equation, but for the most part, well done.  The girl, too, had an amazing actor (Bailee Madison), who I’m seriously hoping goes far in her career, because she’s got so much talent for it.  She sold the little girl better than many adult actors.  So, even when I could see what was coming, I still cared about the characters enough to not be completely thrown out of the story.

It’s not really surprising that I could see a lot of del Toro in the cinematography, either.  Part of what I adore about his films is the rich mythology in them, and you can certainly see it here, from the history of the homunculi to the description of the koi fish, to the ring of fairy mushrooms the groundskeeper kicks away.  For a while, I admit, I played spot-the-film – the Tooth Fairies also make an appearance in Hellboy II, in an early scene where they’ve devoured everyone at an auction.  Same thing – small, many of them, they eat teeth.  There are some differences (like DBAotD’s tooth fairies being confined to one place, having more explanation, and eating exclusively teeth), but the concept is the same.  Also, the hedge maze with a water feature in the middle, which appears again in Pan’s Labyrinth.  I find this actually quite cool, because it gives me a better idea of how he uses each of these motifs to flesh out a story, by seeing the role they play in different narratives.  Plus, it’s fun.

However, I did find that, once the homunculi were revealed, they suddenly became far less scary to me.  They were still threatening, but no longer terrifying like they had been at the beginning.  There is something about not being able to see the monster that is far more awful than not being able to see it.  So, once they were visible, the fear had to come from elsewhere.  Del Toro pulled this off excellently (oh god, why do they have access to sharp objects??), because this was quite close to the final scene, so the movie’s tension carried the fear the rest of the way.
On the topic of things not being as scary as they should have been, I must admit being very ambivalent over the deep-voiced homunculus.  Most of them spoke in a very high-pitched, breathy voice that just made me want to mute the television because nope, nope, all the no. But one of them (implied to be the old man from the first scene) spoke with a far deeper voice.  And this really threw me.  It wasn’t comical coming from the small creature, but it wasn’t intimidating like the breathy whisper on the edge of hearing was.  It was just kind of a voice.

Other than that, the first and final scenes were just marvellously done, and there was a lot to love in the middle.  These are just the things that really stood out for me.

Currently waiting with glee for the live action Monster series, because it’s going to be absolutely marvellous.

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